Friday, January 14, 2005

enter "Yanagisawa 00157838"

Heee heee heee

I’ve got a saxophone!

I’ve managed to make it go

HONK

and

PARP

and

FUUUURRRRPPle

Sophie & I went to Footes, then to Howarth's – and it was in the latter that MY sax (note personal pronoun) was found!

It’s a Yanagisawa (model 1070, I think) and its serial number is 00157838.
It’s pre-loved, couple of scratches on the laquer and one teeny tiny plimpy-pimply-dentling, less than 2mm deep, and fat-pinprick-sized across. It’s a bit of a class above the others we tried at similar prices – not so much a beginner model as they were, to be fair.
It 'spoke' to both of us
– and it called my name!

I’d intended not to be spending over £700 unless we unearthed something special – but I think my little Yani is well worth the £800 I paid for it (I know, I know, I’m naughty, but it’s an instrument – so it’s important).
Mr Howarths-sax-man told me to insure it for around £1500 – so that’ll be another object on the British Reserve list!

Footes had a few – Sophie gave the Jupiter 500 a workout there, then a Yamaha (275?) – neither made the earth move much for either of us – didn’t even make it wibble really.

The used Yamaha of the same model that Footes had (they have 6 of them, at the moment) raised the bar – not matched by the Jupiter 700 which was up next.

From Footes’s selection it was clear that the second-hand Yamaha was in the lead. We took a rain-check & decamped to Golden Square’s Starbucks (I think it was the last Seattle Coffee Company, outside bookshops or anything, to mutate into a Starb’s. Seattle CC’s demise was a tragic loss to society). Thus fortified by tea & caramel waffley-biscuity-thingies [Sophie] and latte & gingerbread-bumble-bee [moi], we put in a couple of calls – one to Howarths and the other to “London Saxophone Co” in Clerkenwell (no answer then, but they rung back later on to say they only had one Jupiter 500 in stock as they buy to order). Howarths, how[arth]ever, said they had quite a few possible candidates in stock – so we puttered down there from Baker Street (past a very aromatic DynoRod drain-unblocking team…eeeewwww) to darken their doors and peruse their wares.

The parade of new saxes from them comprised

Jupiter 700

Elkhart something-or-other

Yamaha summat or other (possibly the 275 again)

Trevor James [enhanced? Maybe? Something anyway]

The Elkhart surprised us – outdoing the Jupiter and the Yamaha as it cantered up the side. Still out in front, though, was Footes’s Yamaha – a robust young filly with good standing in the bookies’ reckonings, but a late break from the dark horse on the left, Trevor James, with its black-pearl keys and aerobie-frisbee style octave-key action left the used Yamaha eating dust. It looked like a clear win for young Trev, a thoroughbread colt showing his gleaming pedigree when I actually liked it enough to have a go – and my first EVER saxophone honk was made on it.

We closed the door

it seemed like a good idea!

I asked whether they had anything in the pre-owned department, so the nice man went off and dug out the Yani – the others on their golden-oldies list were all either

a) out of my price-range

or

b) vintage-type horns – probably old-style mechanism’s not exactly what one needs as a beginner!

The race resumed – but from Yanagisawa’s first notes the others were eclipsed. The old nag’s nose, ears, mane and tail were over the line before young Trev. had even snuffled at the tape.

Badly crafted metaphors aside, the Yani’s sound was more like the jazz velvet I’m lusting after (well, it was when Sophie played it – I managed to attain something more akin to a disgruntled articulated lorry in thick fog parping loudly at an irritating ant-like car driver).

It also weighed appreciably less than Mr.James’s protégé did, and its keys were light and didn’t sound like a wrought-iron statue trying to tiptoe up an old-style fire-escape, which is a bonus.

The lighter keywork is particularly handy (pun-potential) for the old left-thumb war-wound, especially as its job on the sax is to be 8ve-key operator.

My parpings on the Yani were slightly less offensive than on the TJ – and let’s face it, I need all the help I can possibly get!

Poor little horn – it was sitting in Howarths expecting to be bought by a nice professional saxist, and it’s got stuck with a 3rd-rate violist who’s never touched a reeded instrument, except a crumhorn which doesn’t count because its reed has a little hat on, so you can merrily remain oblivious to its existence.

I’ve not given it a name yet
– any suggestions, post your comments now!

After a brief debrief in Wetherspoons next to Baker St tube, during which Sophie & I arranged my first lesson (she’s not run away screaming after the terrible tootings, beepings and parpings emitting from such a nice sax subjected to my tender mercies, which is very nice of her! She was a perfect STAR today, demonstrating patience of saint & nice-personness along with good musician-ness!), I surfed the Metropolitan Line, thinking all the way up “I’ve got a sax!”, cam into the house, where Liz was practising Don Giovanni bits on Charlie Cello, brandished my case and intimated “I’ve got a saxophone”.

Repeatedly.

Very repeatedly.

Very very repeatedly.

Etc

Having demonstrated my prowess at making rude noises on my new acquisition, I retreated upstairs to Liz’s Loft and did a bit of practise – loooonnnggg notes, couple of little tunes, and generally trying to get to grips with a new and alien beastie (while trying to assure it that I really do 'come in peace').

Stopped when lower face began to feel like jelly.

Looking forward to Tuesday’s lesson, and looking forward to more practising too!

It’s so exciting

I’ve got a SAXOPHONE!

I’VE got a saxophone!

I’ve GOT a saxophone!

Hee hee!

my first confirmed sponsor!

meet Dogwatch, from Ship-of-Fools, who has kindly agreed to allow me to spool his PM onto this blog AS WELL as being nice enough to offer to sponsor my attempt!
what a star!

Best wishes for your Grade 1 project - put me down for a tenner when you succeed (you'll have to PM or email me in July).

I'm a self-taught tenor sax player, having graduated from classical flute (ca Grade 6 standard, but never took the tests). I don't get to play much these days, partly because practising is such an anti-social thing when you share accommodation (in my case with Mrs D and occasional returning pups) - so that's my first hint: find somewhere you can practise without upetting anyone or embarrassing yourself, especially with your first faltering attempts at improvisation. I'm assuming you have a teacher or someone who can advise on reeds, instrument, etc.

Second hint: play as much as you can. Your cheeks will ache and your lips turn to jelly at first, not to mention getting a sore tongue from kicking the reed into life, but until you've got the muscles toned up, it's difficult to "shape" the notes. Also, while the alto may be a bit less demanding than tenor, your ribs and diaphragm will have demands placed on them that they are not used to. Keep at it! It will improve your breathing IRL no end (so much so, I reckon I might owe my life to my tenor sax, as I recovered from a car-crash-induced pneumothorax in double-quick time because I was breathing properly)

Third hint: try to find a group of like-minded souls to play with, as soon as you can hold a tune. With your classical and traditional music background that shouldn't be too long from your first honks. It's much more fun, and the only way to learn to play jazz, rather than notes off a page.

Which brings me to the fourth hint: cut loose from the sheet music as soon as you can. Try to dump the classical musician's reliance on the printed page. Only a professional teacher can tell you how close to the notation the Board expect you to keep, but to improvise, you need to have the music in your head rather than on the page.

Hope that is of some use to you, and doesn't sound like grandpa trying to teach you to suck eggs.

Good luck and enjoy! Watch out, Ben Castle.

Dogwatch

I've got a sax!!!

I'VE GOT A SAX!!!
I've got a sax!!!
I'VE GOT A SAX!!!
I've got a sax!!!
I'VE GOT A SAX!!!
I've got a sax!!!
I'VE GOT A SAX!!!
I've got a sax!!!
I'VE GOT A SAX!!!
I've got a sax!!!
I'VE GOT A SAX!!!
I've got a sax!!!
I'VE GOT A SAX!!!
I've got a sax!!!
I'VE GOT A SAX!!!
I've got a sax!!!

'twas the night before...

...well, the morning before now, but same idea.

Going teaching - start Fridays with teaching a teacher in the school recorder - so that should at least wake my diaphragm up a bit! then my 3 year-6 lads, then

I go in to meet Sophie at Bond St tuube at 2.45pm & go on a sax hunt!

last night was rather like being 3 again & waiing for a fat, red metaphor to clamber furtively into the house by way of the most capacious and/or flue-like orofice available for the purpose of distrubuting goods bootlegged in the North Pole with scant regard for copyright, patents or trademarks by a team of diminutive star-trek-Vulcans clad in a suspiciously and perturbingly asexual manner in green with adornments of other bright colours.

praying the right one is sitting waiting for me.
next time I blog I should have a saxophone

hee heeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee!